






so, the fully mastered demo is here at last. daniel cleverly uploaded it onto facebook (i say cleverly because i don't speak computer so its all greek to me) so check it out if you haven't heard it yet. www.facebook.com/emerge.
also, dan's made a lovely collage of photos to go with "giving it all"-a bit like a music video. this obviously influences the quality of the track so the sound isn't as great as it is on the actual recording. the demo is beautifully mastered by our superb sound friengineer/producer, Malcolm, from the SABC studios in bloem. what a cool guy...
so there we were, in the studio...daniel being a regular tourist with his camera, snapping away at everything in sight. i was supposed to make "pad kos" for the day but conveniently forgot-partly because i'm embarrassed about my cooking and partly because taking a lunchbox into a studio is not very rock 'n roll :)- the rhythm tracks went down pretty quickly-clive and orishion are such pros at this sort of thing. that's why we call him one-take-clive...
dan and leon of course know the songs inside and out so they're just naturally insync and creatively, the boys were on fire. one cool idea after the next...with a little help here and there from malcolm.
during lunch we got into a very interesting conversation with malcolm about the gigging scene in Kimberley and Bloem....the issue of sound equipment continues to be a hassle for everyone. unless you have the money for a decent rig-which obviously we don't-you're at the disposal of whatever crappy system you can afford to hire. also, some venues won't let you play unless you can produce a big enough system to make enough noise. which is understandable-venues need good sound-and that's exactly the point.
is it unfair to say that venues can afford to buy good sound systems (considering how little they pay the bands, the cover charge, crowds the bands pull ect)? for example, emerge played a gig a few weeks ago with a sound system that cut out everytime we went to the chorus.
it's a rig we use all the time but for some reason, it kept tripping. we managed to sort it out by turning everything down. now, we are musicians. not sound engineers. it's easy to assume that if you play an electric instrument you can work a mixer-but any musician will tell you that sound engineering is a specialised field. it's not any old fool that can do it--plus, inexperienced engineers can damage sound equipment if they don't know what they're doing.
wouldn't it be a lot easier if venues-especially those who frequently have bands- just invested in a good sound system, once off?
anyway, enjoy the demo and if you'd like a copy on cd, let us know. we'd love you all to hear it and tell us what you think.
peace, love and music xxx